Nonpartisan and Education-based News for Centreville
A red sky at night, even in winter, promises a good next day.
“Sailor’s Delight” by Lauren Morris Turner
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This expansive estate takes full advantage of its prime position along 10+ acres of Caulk Cove’s tranquil shoreline.
I have featured several houses along this street in Bozman and the tantalizing glimpses of this house always intrigued me as I slowly drove past it. I am so pleased to be finally showcasing this exceptional property today. The house is sited on more than 10 acres along the tranquil shoreline of Caulk Cove and has both open farm fields for endless vistas and also professionally landscaped grounds.
The custom designed house was built in 2013 and although its total square footage is almost 8,500 gsf on two levels, the rooms feel cozy and the acreage ensure peace and privacy. I love puns and this house is aptly named “Point Taken” for its taking a prime spot along Caulk Cove.
Distinctive massing with steep rooflines, shed dormers, and gable wings blends seamlessly into the surrounding trees.
After driving along a driveway flanked by tall sycamore trees, I arrived at the parking area next to a large fountain. The house is surrounded by mature trees and I admired its massing of gable wings that were grouped perpendicular to each other. The massing is enhanced with numerous shed dormers, a half circle gable at one side, chimneys, steep roof pitches and porches to create this a one of a kind residence.
A long, sycamore-lined walkway leads to a deep, stone-clad porch accented by a striking wide chimney design.
My entry sequence began with a long sidewalk lined with more sycamore trees. I appreciated the low height of the risers that were delineated in stone to contrast with the larger pavers that were laid on the diagonal for greater interest. A deep porch spanned across the front of the house and is further deepened to create a recess for the double entry doors. I admired the wide stone chimney with its detailing of notches in the stone just below the cap.
The rear of the house boasts a continuous flow of outdoor spaces, including twin screened porches and water-facing steps.
The rear elevation of the house opens up to the expansive water views with the main level’s continuous arrangement of outdoor rooms including a covered porch between two screened porches. I admired the careful design of the porches’ horizontal detailing that maximized clear views of the water from the sitting areas. Steps lead down from the open porch areas to the lawn and the firepit surrounded by Adirondack chairs. Dormers at the second story offer bird’s eye views of the water.
A 12-foot ceiling, bespoke millwork, and stone accents create a grand yet welcoming entry into the home.
To begin my tour of the interiors, I went back to the front porch, where the Owner and Listing Agent met me at the large foyer that is the same length as the adjacent living room’s width. Being an architect, I noticed how carefully this room’s interior architecture was designed. Layers of trim on the drywall create a grid of both solid wall planes that blends into the transparency of the sidelights and transoms of the wide pair of doors. I especially appreciated the accents of the chimney’s stone wall, the rich “Hermes’ Orange” bespoke millwork that is a backdrop for a settee and an antique bench and the texture of the “pebble” rug. Soaring twelve foot ceilings and rich hardwood floors were harbingers of the materials that I found throughout the main level of the house.
Coffered ceilings and layered seating areas combine elegance with functionality in the open-plan living space.
Many homes have the front entry door(s) opening directly into the living room but I prefer the discovery of walking around the chimney as I did here to discover the open plan living-dining area below the coffered ceiling that ties the spaces together. The options of seating with a pair of chairs by the fireplace or the TV and the larger seating area in the middle of the space works very well. The bespoke millwork, including a wet bar, is ready for entertaining.
Pairs of French doors and large transoms allow natural light to seamlessly merge the dining space with the outdoors.
At the rear wall of the open plan living-dining area, pairs of French doors with transoms and windows rise to the underside of the coffered ceiling. Full height window treatments provide privacy when needed.
The dining area flows seamlessly between the kitchen and living room and the large rug anchors the long table and chairs. The beautiful table on the wood floor defines the two areas and its position is perfect for setting out appetizers for entertaining.
The kitchen’s diamond-patterned coffered ceiling and handcrafted walnut cabinetry make it a show-stopping chef’s haven.
The dining room’s wide wall opening connects the kitchen to the living-dining open plan and provides a view of the water for the kitchen. This stunning kitchen’s interior architecture of the diamond patterned coffered ceiling, wood floors, hand crafted walnut cabinetry with both white and leathered granite countertops and a Wolf six-burner dual oven range is a cook’s dream. The dual islands are practical; one is for food prep and has a view through the adjacent porch to the landscape and water; the other island has bar height chairs for breakfast or homework.
A beautifully designed pantry offers ample storage, secondary appliances, and display space for entertaining needs.
Behind the kitchen is a fully equipped butler’s pantry with extensive cabinetry, generous counter space, a secondary refrigerator and sink, dual dishwashers, a wine refrigerator and an electric oven. A combination of open shelves for cookbooks and glass fronted upper cabinets for storage of serving pieces, crystal and china completes the design. The wide wall opening leads to the front hall’s French doors to access the front porch.
This well-appointed laundry room pairs functionality with daylight, making chores easier to approach.
Off a secondary hall is a well-appointed laundry room with ample cabinetry, generous counter space and a double window for daylight that would make doing laundry much less of a chore. Next to the laundry is a powder room and a mudroom with access to both the side wall of the front porch and the attached two-car garage.
This serene guest bedroom offers privacy along with garden views from its oversized double window
The house is zoned very well with the main floor bedrooms being far apart from each other for privacy. This guest bedroom is located off the secondary hall from the foyer and its large double unit window overlooks the side terrace. The gray walls, colorful duvet and pillows creates a serene spot for sleep.
Warm wood tones and layers of soft neutrals create a tranquil and flexible retreat for overnight visitors.
Having explored one side of the house, I returned to the foyer to explore the other guest ensuite and the primary ensuite. If I were lucky to be a guest, I would choose this lovely retreat with its many shades of neutral colors and textures; especially the rug with its raised pile, and the warmth of the wood antiques. I could easily imagine reclining on the chair and ottoman or propping up against the headboard of the sleigh bed for reading before bedtime. Opening up the French doors to the porch would be a delightful way to start the day!
Curved walls and precisely designed trim perfectly frame this graceful staircase for a striking architectural feature.
Next to the guest bedroom is the stair to the second floor that is offset from the foyer. The graceful curved wall with its ascending curvature of both wall and ceiling and the widening and curvature of the treads is a great focal point. This space was also carefully thought out in the placement of the trim against the walls for a stunning effect.
Detailed ceiling coffers and bespoke millwork elevate this functional den, complemented by a fully-equipped bar.
The wide wall opening at the stair with its pair of paneled doors leads to the den/TV room that also connects to the primary bedroom. The ceiling plane was carefully detailed with a row of coffers between soffits on both long walls; one side contains recessed lights; the other side projects slightly over the bespoke millwork and the chimney breast. At the corner is a recessed area under the stair that is a fully equipped bar.
The deep blue tray ceiling and private screened porch set the tone for this relaxing and luxurious primary retreat.
From the den/ TV room, pocket doors lead to the spacious primary bedroom with its dramatic deep blue tray ceiling with hidden lighting. The rear wall’s French doors and a double unit window to the adjacent private screened porch offer indirect views of the landscape and water. The bed is positioned for both the views and it is also across from the TV and fireplace. The soft colors create a serene haven.
A private screened porch with lawn access and a bed swing creates a peaceful extension of the primary suite.
The primary ensuite’s private screened porch has a pair of doors leading to steps down to the lawn. With options for relaxing on the chaise or enjoying breakfast at the round table, this delightful space is a bonus room for the primary bedroom. Hardware was installed for a bed swing-perfect for warm summer nights!
Bespoke millwork, mirrored cabinetry, and organized storage define this spacious two-compartment dressing room.
The “L” shaped Dressing Room is divided into two compartments; this one has bespoke millwork with mirrored doors; the other compartment has a grids of rods and shelving for easier access.
A dramatic glass-block shower wall and jacuzzi tub optimize both light and functionality in the primary bath.
The primary bath is arranged very well with the jacuzzi tub opposite the toilet compartment and the lavatory opposite the large half circle shower with its exterior wall of glass block that floods the space with daylight. The mirrors above the lavatories captures views of the glass block wall.
The second-floor recreation room features a stone fireplace, a billiards area, and multiple seating options for gatherings.
The second level features nine-foot ceilings and is anchored by a spacious family room with a stone hearth and chimney for the wood-burning fireplace. The different areas of seating, billiards area and wet bar, create an ideal family gathering space for popcorn and movies.
This level also has two ensuite bedrooms and the third bedroom near the bath behind the recreation room currently includes custom built-in bunk beds. This room was originally designed as a home office and offers flexibility to be restored to its original use.
A wrap-around screened porch offers seamless flow from indoor spaces to outdoor entertaining areas.
Having explored both floors of the house, I went downstairs to explore the outdoor rooms. The home’s exceptional design extends seamlessly outdoors, with a spacious wrap-around screened porch, accessed by French doors from both the kitchen and the living-dining area, leading to an open-air porch with a wood-burning fireplace and outdoor entertainment setup for great indoor-outdoor flow.
Bluestone walkways and irregular terrace edges enhance the natural aesthetic of the lushly planted outdoor spaces.
Steps lead down from both the open porch and the screened porch to bluestone walkways and terraces. The irregular outlines of the terraces blend into the lush plantings.
The lagoon-style Gunite pool with waterfall feature is paired with an outdoor kitchen and waterside firepit.
The terrace leads to a twenty foot by forty foot lagoon-style Gunite pool with a waterfall feature, near the outdoor kitchen and a waterside fire pit offering stunning sunset views over the cove. The plantings and mature trees provide privacy.
A greenhouse, raised beds, and waterfront access add charm and functionality to this impeccably landscaped property.
Additional site features include a greenhouse with raised garden beds, fenced garden area, professional landscaping with accent lighting, and a full irrigation system. The private dock with approximately 6’ MLW offers two boat slips, a floating dock and access to waterfront dining and premier fishing throughout the Chesapeake Bay and surrounding tributaries.
The property also includes a charming one-bedroom guest house with a luxury kitchen, open living area with fireplace and screened porch.
This truly exceptional property is the work of three “Wonder Women” who designed the house: the Owner with her clear vision, the Architect who translated the vision into reality and the Interior Designer who enhanced the interior architecture-Bellissime!
For more information about this property, contact Kim Crouch Ozman with Benson and Mangold Real Estate at 410-745-0415 (o), 410-829-7062 (c) or [email protected]. For more photographs and pricing, visit www.kimcrouchozman.com , “Equal Housing Opportunity”.
Architecture by Christine Dayton, www.cdaytonarchitect.com, 410-822-3130
Interior Design by Sherry Peterman
Construction by Focus Construction, www./focus-construction.net, 410-690-4900
Landscaping by Dobson Tree and Landscape Inc.,(410-745-6935
Photography by Janelle Stroop, Thru the Lens Photography, 410-310-6838, [email protected],
Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.
The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.
Gustave Courbet (1819-1877) was the leader of the French Realist painters. He was born in Ornans, a city on the first plateau of the Jura Mountains in western France and close to Switzerland. He began to paint at age 14. In 1837 he entered the College of Fine Arts and the College Royal de Besancon to study art and law. He informed his father two years later that he did not want to be a lawyer. His father agreed to support him in his study of art. Courbet moved to Paris and found a job in the studio of Steuben and Hesse. He copied paintings in the Louvre, and followed the classical style of the Academy. He returned regularly to Ornans to fish and hunt, a life-long pleasure.
Courbet received much attention in the Paris Salons with his chosen subject, the real life of ordinary French people, rather than the popular and accepted history, mythology, and religious paintings. Massive paintings such as “The Stone-Breakers” (1849) at 4.9’ x 8.5’, and “Burial at Ornans” (1849) at 10.3’ x 21.6’, the funeral of a common man, gained him a reputation for strict realism. He was famous for saying, “I have never seen an angel. Show me an angel, and I’ll paint one.”
Courbet was a socialist, politically active, and anti-authoritarian. His Realism style became popular with like-minded people and artists. He refused the nomination for the French Legion of Honor in 1870, during the regime of Napoleon III. Paris was in turmoil, Napoleon III was overthrown, and the popular Paris Commune was established in 1871. Despite the liberal ideas of the Commune, it lasted only 72 days. Courbet was appointed Director of Museums. He was blamed for the destruction of the Vendome Column, a national monument. He was jailed for six months and held responsible for restoration of the expensive monument. He fled to Switzerland, where he lived until his death.
Courbet’s realistic depiction of the ills of contemporary society got him into trouble, but his paintings of nature were praised. Scenes of winter snow were not common at the time, but his works were appreciated and sought after. “Fox in the Snow” (1861) (34”x50”) (Dallas Art Museum) was exhibited in the Paris Salon of 1861 with three other hunting scenes. All were popular. Courbet was praised for his ability to portray the texture of the fur, the intensity with which the predator attacked its prey, and the pose that would allow a quick getaway. The work was unsentimental, showing Courbet’s understanding of the ways of nature.
“Deer Taking Shelter in Winter” (1866)
“Deer Taking Shelter in Winter” (1866) (54’’x73’’) is an example of Courbet’s unique ability to create the “snow effect” in painting. He used blacks and browns for the background, which he coated with thick white and blue paint, then scraped with a palette knife and a stiff dry brush to produce the impression of frozen snow clinging to the trunks and branches of trees. His use of blue with white added just the right amount of chill to the shadowed areas.
The standing deer appears frozen in place, perhaps sensing danger. Two other deer huddle together for warmth and protection. Everything has paused, as has the viewer, in anticipation.
“Village Edge in Winter” (1868)
“Village Edge in Winter” (1868) (12’’x18’’) is a depiction of one of the small villages located in the Frenche-Comte region, Courbet’s birth place. The region includes the Jura Mountains, famous for hiking, skiing and other outdoor activities, and Burgundy wine and local cheese that Courbet enjoyed on his annual visits. The word Jura means forest.
One response to this painting was that it could be harsh and uncomfortable; the houses sit abandoned. It is a snowy scene, but the road appears well-traveled, and the houses seem sturdy. Perhaps the villagers are cozy in these houses on this snowy day.
“Winter Landscape” (1868)
“Winter Landscape” (1868) (19”x12”) does not contain people, animals, or a village. It simply is a masterful depiction of snow-covered trees. His work is not romanticized. The viewer experiences the rawness of the frozen landscape.
Courbet wanted to show the reality of the people oppressed by their government, and he did so with huge paintings. These paintings are the reason for his designation as Realist. However, his landscapes were small and intimate. Courbet didn’t paint angels, because as he said he never saw one. However, he also said, “Beauty lies in nature and reveals, once the artist has perceived it, its own expressive power.”
Beverly Hall Smith was a professor of art history for 40 years. Since retiring with her husband Kurt to Chestertown in 2014, she has taught art history classes at WC-ALL. She is also an artist whose work is sometimes in exhibitions at Chestertown RiverArts and she paints sets for the Garfield Center for the Arts.
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A Breat Blue Heron glides home in the Blackwater National Wildlife Refuge.
“Incoming!” by Cynthia Garrett Garmoe.
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Brick herringbone pathways and a gated hedge border add structure and privacy to the inviting front façade.
Five years ago, I featured this distinctive property in St. Michaels’ Historic District. The property now has a new Owner whom I met recently and she told me about her changes to the landscape and interiors. I was quite intrigued as her style differed from the previous Owners.
Since many of you take advantage of the winter months to spruce up your homes or plan your landscape for spring, as I am doing, I thought this would be an interesting case study to offer you ideas how small changes in the landscape and interiors can make a big impact.
On the day of my visit, I was quite relieved to see that the house’s exterior color palette whose earth tones I had admired remained unchanged. I walked up the new herringbone patterned brick walk with its border of brick stretchers between the new extensive landscaping of low plantings. A new “wall” of both a low hedge and a wood gate provide privacy for the front porch.
Diagonal bluestone paired with a red brick border brings bold contrast and dimension to the updated terrace.
Before going inside, I reacquainted myself with the wonderful outdoor rooms of the terrace that wraps around the corner of the house. The former terrace was laid in gray random sized pavers that blended into the landscaping. Now bluestone laid on a diagonal with a border of red brick visually expands the space and adds color.
Thoughtfully positioned garden beds soften hardscapes while enhancing texture and visual flow.
New landscaped areas were included in the terrace’s layout that both add color and texture to the terrace and break up the expanse of the solid surfaces. I especially admired the detailing of the brick at the 90 degree corner of the planting areas.
A cozy firepit framed by brick and gravel anchors the outdoor gathering space, surrounded by layered greenery.
I discovered that the terrace now ends at a new outdoor room of a fire pit outlined by a brick border that encloses the gravel. The easy care iron seating with cushions set the scene for nocturnal gatherings around the firepit-Smores anyone? New trees and shrubbery were spaced along the wood fence to both break up the length of the fence and to add texture and color.
Large pavers provide both utility and elegance as they guide visitors through a shaded garden oasis.
The existing sycamore tree now has stone cherubs for companions that are placed among the hostas who thrive in this shady area. New large pavers create a welcome path through this area that is slow to drain. The pavers end at the gate in the fence to the alley where there is guest parking in front of the two-car garage.
Coffered ceilings refreshed with white paint and modern lighting bring a brighter, timeless appeal to the living area.
When the Owner greeted me at the original magnificent pair of walnut doors with their beautiful mahogany stain, I could see the living room’s former coffered ceiling was now brighter with the simple switch from black to white housings for the recessed lighting and white semi-gloss paint on the ceiling. I had loved the former sleek modern living room but this Owner’s transitional style is equally appealing. The green and white color scheme and the reupholstery of several pieces gives this space a fresh look and I especially admired the floral fabric from Scalamadre. New window treatments of both drapes that span to the underside of the coffered ceiling and up/down translucent shades offer various degrees of privacy. I also noticed the interior solid cherry doors now have solid brass door hinges, knobs, locks and ball catches.
French doors lead to a side garden fountain, blending interior elegance with soothing outdoor ambiance.
Full height drapes were also added to the dining area whose table is on axis with the pair of French doors to the fountain in the side garden. On warm nights when the doors are open, the gentle sound of water can join the dinner conversation. I admired the mix of the Chippendale chairs’ solid color cushions and the accent of the patterned wing chairs flanking the sideboard. The stylized twig chandelier is the perfect size for this space.
A splash of personality finds its way into the kitchen through floral-cushioned bar stools and woven window shades
Sometimes the only thing one needs to change the look of a kitchen are the bar stools like these that have rattan frames and flowered cushions. The new woven shades add a touch of color to the trio of windows overlooking the terrace.
Bold red millwork and adjustable shelving balance practicality with a vibrant aesthetic in this adaptable space.
The main floor layout of this house contains this flexible space with an adjoining bath that could be a primary suite or an office as this Owner needs. The former black millwork with identical bays now has adjustable height shelves and bright coats of red as an accent for the room. I admired the harmonious mix of the millwork, Chippendale chairs and the beautiful original craftsman style door to the adjacent bathroom.
Black cabinet doors, bronze hardware, and streamlined tile updates give the adjoining bathroom a cohesive, modern look.
Bathroom changes are easy to do when the arrangement of the fixtures and the floor tile remains the same as it does here. The Owner added red paint to echo the adjoining room’s millwork, replaced the white cabinet doors with black doors and bronze hardware, and retiled the shower wall to remove the former accent band of tile.
Whimsical details and blue tones transform this compact powder room into a stylish and functional retreat.
Powder rooms or compact ones can be easily changed too. The former wall finish was a bead board white vertical board wainscot and beige painted walls. Now the new blue and white scheme of wallpaper and a sleek blue lavatory cabinet creates a fresh and inviting look. The chrome pulls and legs that frame both the front and back faces of the shallow cabinet that is a perfect scale for this space and adds a splash of color. I especially admired the mirror’s touches of whimsy of the striped bass/bluefish on the left side and blue fish on the right side that adorn the mirror’s frame. The new 5-1/4 “ walnut flooring was the finishing touch.
Earthy tones and patterned curtains harmonize with deep salmon walls, creating a tranquil and sophisticated guest space.
The second floor guest bedroom’s new deep salmon colored walls inspired the window treatments in a fabric with its vertical pattern and colors that complement the wall color. The soft earth tones of the bedding enhances this serene space for relaxation and rest.
Light green walls and floral window treatments play off the white trusses to unify softness and architectural distinction.
I was relieved that the second floor’s primary ensuite’s interior architecture of the white exposed trusses and decking has remained. I loved the Owner’s selection of soothing light green walls and the window treatments of large scale roses on a cream colored background. Her clever use of the same fabric to cover the existing window becomes a backdrop for the beautiful wood four-poster bed.
A gas fireplace and deep chairs invite comfort, while decorative accents add depth and visual interest to the chimney wall.
The wood-burning fireplace was replaced with a gas unit and the large cream colored upholstered chairs and an ottoman with accent pillows create a cozy spot for relaxing by the fire. I admired the painting with its perspective scene that adds depth to the chimney and the crisp white mantel and trim color accentuates the beauty of the wall color.
Dual mirrors and well-placed cabinetry redefine functionality in this elegant primary bathroom update.
The primary bath has also undergone a change to dual lavatories with a shared cabinet of drawers. Mirrors in thin frames with curved corners are a stylish touch. The shower alcove was enhanced by relocating the door to open into the shower from the lavatory area and new tile to wrap around the shower walls.
A border of black and patterned tiles turns the soaking tub’s alcove into a striking focal point.
I had specified the same floor tile that the former Owners had selected for this tub alcove; but as it sometimes happens, later renovations like this one cannot guarantee a color match. The new Owner cleverly solved the problem by adding a black border and tile with a subtle patterned color to create a “rug” for the alcove.
Compact cabinetry creates a functional mini-kitchen in this spacious guest retreat, complete with a loft bedroom.
The upper level of the garage is a spacious one-bedroom apartment for extended stay guests and is the now the domain of the Owner’s son. The Owner added the row of cabinets for a mini-kitchen that includes drawers for both the fridge and freezer, dishwasher, sink, and a pull-out trash cabinet. The half-circular open stair leads to the loft bedroom.
A cleverly expanded bathroom balances blue cabinetry with sleek marble-like finishes for a refined guest experience.
The Owner cleverly incorporated space from the adjacent storage area next to the former half bath and the compact space is now a full bathroom. The veining of the shower surround complements the blue of the lavatory cabinet and the frameless mirror seems to float in the space.
It was a special treat for me to see how one house with great original interior architecture can easily adapt to another interior design style. I admired the current Owner’s design concept that hopefully will inspire those of you who want to refresh your own home. Redesign and refurbishment involves many consultants, contractors, subcontractors and suppliers and the Owner graciously shared her primary sources:
Contractor: Marr Home Solutions: Ben Marr
Hardscape and Landscape Design: Bob L. Jackson Landscape Inc.
New Sprinkler System and Outdoor Lighting: Terra Nova
Painter: Donnie L Gowe
Photographer: Brandon Manchion
The Lumberyard: Selected Custom Cabinetry
Ferguson Design Center, Annapolis: Sconces, plumbing fittings for kitchen and baths, selected cabinets including the apartment mini-kitchen and its appliances.
Atlas Marble and Tile: Bathroom tile and marble from a quarry in Tuscany, Italy
SolidTops LLC: Second Floor Primary Bath lavatory countertop
Fiona Weeks: All custom window treatments and fabrics for selected reupholstered chairs
Conn Scott: Selected furnishings and lighting fixtures
Bruce Wilson: Leather reupholstery, Reupholster furniture fabrics & Antique & Classic Cars
Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.
The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.
The Potomac River, one of the Bay’s major tributaries, flows on at dusk. “Riley’s Lock” by Lee Goodwin.
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Epiphany was celebrated on Tuesday, January 6, this year. The King James Version of the Book of Matthew tells the story: “There came wise men from the east to Jerusalem, Saying, “Where is he that is born King of the Jews, for we saw his star in the east, and are come to worship him?” (2:1-2) Then “the star, which they saw in the east, went before them, till it came and stood over where the young child was.” (2: 9)
The Flemish painter Rogier van der Weyden (c.1400-1464) was commissioned to paint more than one version of the Nativity story and the Adoration of the Magi.
”Nativity” (1445-50)
This van der Weyden “Nativity’’ (1445-50) (8’x4’) is a triptych with two folding wings. The center Nativity scene takes place in a stable with a thatched roof. The brick walls and classical columns reference European and Roman structures. The three windows are symbols of the Trinity. The elderly Joseph kneels and holds a single lighted candle. Angels attend the birth. A white dove, a symbol of the Holy Spirit, perches on the roof beam. An ox and ass are part of the scene. At the left and in the distance, an angel appears to the shepherds.
The altarpiece is known as the Middleburg Altar and the Bladelin Altar. The new church in Middleburg was built by the commissioner of the altar, Pieter Bladelin (1410-1472), who served as treasurer for Philip the Good, Duke of Burgundy. Bladelin is the figure dressed in the fur-trimmed black tunic and kneeling in prayer.
The painting on the panel on the left side is a scene in which the Roman Emperor Augustus, while consulting the Tiberian Sibyl as to who was the most powerful man, saw a vision of Mary and Christ. The stain glass panels in the window include the Hapsburg double-headed eagles. Augustus, like King Philip the Good of Flanders, recognized Christ as King.
The panel on the right side contains the scene of the Magi, kneeling and looking up at the Star. Van der Weyden added the figure of the Christ child in the center of the star. The Magi are dressed in rich brocades, fur, and satins typical of Flemish dress of the time. They represent the three ages of man.
Magi, the old Persian name for the priests of Zoroaster, meant they were not kings, but wise men with knowledge of astronomy, medicine, and divination. They were gentiles. They brought three gifts of gold, frankincense, and myrrh, and therefore were numbered as three. The names Melchior, Caspar, and Balthasar first appeared in the 6th Century CE. By the 12th Century they represented the three ages of man. In the 15th Century, wider trade led to their being thought of as travelers from Europe, Asia, and Africa. Eventually Melchior was depicted as old, Balthasar as African and middle aged, and Caspar as European and the youngest.
“The Three Kings Altar’’ (1450-56)
“The Three Kings Altar’’ (1450-56) (54’’x60’’) was painted near the end of van der Weyden’s life for the Church of St Columba in Cologne. The stable has no walls and is in disrepair. The thatched roof is in shambles. One interesting addition is the small crucifix hung on the central stone column. It forecasts what was to come. The Gospel of Matthew describes the event: “And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto him gifts; gold, and frankincense and myrrh.” Melchior, having removed his hat, kneels at Mary’s side, holding the Christ child’s feet and kissing his hand as if he were a King. Balthasar, not represented as an African, holds a gold container of frankincense and begins to kneel. Caspar removes his hat and waits his turn. All are lavishly dressed. Joseph, holding his cane, looks on from the left. The three-legged stool, symbol of the Trinity, perhaps holds the gift of gold from Melchior. Behind Joseph, the donor kneels outside the stable, rosary in hand. The ox and the ass look on. The panoramic scene set behind the stable presumably represents Cologne. A number of citizens already have reached the stable. Many others walk down a distant path to the stable.
The left panel contains a scene of the beginning of the Christmas story, the annunciation to Mary. The right panel contains a scene of Mary and Joseph taking Christ to the temple to be blessed. As was the custom, they bring with them a basket containing two doves that will be offered to buy back their son.
The Venerable Bede (673-735) described the gifts Christ was given as both practical and symbolic. Gold represented His royalty; frankincense, used in religious services, His divinity; and myrrh, used in burials, His mortality. In the 12th Century, St Bernard suggested a more practical reason for each gift. Gold would be useful for their life in Egypt, frankincense would help with the smells of the stable, myrrh that would drive out worms.
Shrine of the Three Kings (1180-1225)
Shrine of the Three Kings (1180-1225) (43” wide x 60” high x 87” long) is a reliquary that holds the bones of the Three Wise Men created by Nicholas of Verdun (c.1130-1205), a Mosan goldsmith, metalworker, and enamellist. The shrine is placed behind the high altar of the Cathedral of Cologne. Nicholas was from Verdun, France, on the Meuse River. Mosan refers to the architecture, sculpture, stone carving, metal work, and manuscript style of the first golden age of Netherlands art.
The bones of the Magi were found by Empress Helena, mother of Constantine I, and she brought them to Constantinople. In 314 she gave them to Bishop Eustorgius of Milan. Helena was known to have found many relics. The city of Milan was conquered by Cologne, and the bones were taken there as spoils of war. Holy Roman Emperor Otto IV gave the three crowns of the Magi to Cologne and donated material to complete the shrine.
Shrine of the Three Kings (close view)
Nicholas constructed the shrine in the shape of a basilica covered with gold and silver. It is decorated with seventy-four high-relief figures that represent the prophets, apostles, evangelists, and the Three Kings. Scenes include the Adoration of the Magi, Mary Enthroned with Christ, Baptism of Christ, and the Last Judgment. Filigree designs, enamels, and more than 1000 jewels and beads decorate the exterior. The shrine holds the skulls of the Magi, wearing their crowns, and their bones. The Shrine was considered so magnificent and important that the cathedral was rebuilt in 1248 to be worthy of it.
Beverly Hall Smith was a professor of art history for 40 years. Since retiring to Chestertown with her husband Kurt in 2014, she has taught art history classes at WC-ALL and the Institute of Adult Learning, Centreville. An artist, she sometimes exhibits work at River Arts. She also paints sets for the Garfield Theater in Chestertown.
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An inviting property nestled in the heart of Rock Hall, where waterfront charm meets vibrant village life.
When I first moved to the Eastern Shore, I worked part time for another architect in Wilmington until I could establish my own practice. One of my colleagues had a weekend cottage in Rock Hall and encouraged me to discover this charming village that is known as the “Pearl of the Chesapeake”. After that first visit, I have returned many times to enjoy window shopping in the retail area, setting up my beach chair on the sandy beach to enjoy the parade of boats on the Bay or to hear live music at The Mainstay. Today’s feature is located in the heart of town, so Rock Hall’s attractions are just a few blocks away.
The bold Victorian façade features stacked box bays, angled porch details, and intricate “Painted Lady” trim to elevate its architectural appeal.
When I saw this house’s front elevation during my online search for today’s feature, I was hooked by the massing and symmetry of what I surmised had once been a simple three-bay Victorian with a full front porch.
The façade was enlivened by the exuberant symmetry of the stacked box bays crowned with articulated gable roofs that penetrate the “T” shape massing of the house and the porch’s angled bay projection. The roof over the new part of the porch wraps around the angled foyer and creates a welcoming entry.
When I walked up the stone path to the porch, I admired the vibrant colors of this “Painted Lady” included light blue siding and light purple trim around the box bays, darker purple trim around the box bay windows on both floors, the purple cap rail of both the porch’s balustrade and around the corners of the columns. Scallop Hardiplank siding infills the attic gables for texture and contrasts with lap siding below.
I was also impressed with the mature landscaping around the porch; even though they are dormant now, I could well imagine how colorful the hydrangeas, butterfly bush, viburnum and a rhododendron must be in the spring!
This second-floor screened porch feels like a secluded perch, offering serene views of the private yard below.
When I walked around the house, I discovered this fab screened porch at the second floor overlooking the rear yard-what a great open air bonus room for bird’s eye views of the lawn and landscaping!
Mature trees and a handy storage shed frame the sunny and private backyard oasis with plenty of potential.
The large storage shed in the rear yard would contain all the lawn and garden maintenance items the next gardener would need. On this sunny day, the mature trees filtered shade onto the lawn. The rear wall of the building behind the house provides privacy for this property’s yard.
A graceful transition from the foyer through French doors offers sightlines to stained woodwork and bright spaces beyond.
My tour of the interiors began at the angled foyer that ends at a pair of stained wood French doors. The doors open flat against the side walls for a wide view of the stair with its original stained wood balustrade. The hall by the stair offers a vista through the adjacent dining room to the kitchen at the rear of the house. Another pair of painted French doors leads to the living room opposite the wide wall opening that leads to the family room. I admired the simple palette of light wood engineered floors, gray walls, white trim and white ceilings.
A Gothic arched opening and thoughtfully curated antiques add both architectural and personal character to this inviting living space.
The living room’s focal points are both the box bay and the Gothic arched top wall opening to the stair hall. I admired the eclectic look of the furnishings of antiques, upholstered sofa, trunk coffee table and the bookcase. The listing agent told me the stylish Adirondack style chairs were two of the many repurposed items in the house that give this space an appealing eclectic look.
The box bay nook is designed for quiet mornings, natural light streaming through original fluted trim windows.
I love cozy snugs and this one in the box bay would be the perfect spot to relax in the stylish rocker and read a book by the light of the ornate crystal light fixture that was the perfect size for this diminutive space. I also noted the original trim of both the windows’ and doors’ fluted jambs with rosettes on the corners, crown molding and baseboard.
Exposed brick, layered textures, and antique accents lend warmth and depth to an already light-filled corner room.
The living room’s windows at the corner of the room and the Gothic arched opening give this space transparency that makes the room seem larger than it is. I have used antique iceboxes several times in designing a sitting room for clients since they are great storage units for myriad uses. I also liked the color and texture of the exposed brick chimney with uneven mortar joints that is a great accent.
A multi-functional family space made cozy by exposed brick, repurposed furnishings, and a charming bay snug.
On the other side of the hall stair is the family room with another exposed brick chimney and a box bay snug. The snug is a perfect spot for breakfast, puzzles or board games. I also admired other repurposed pieces of the long bench that has a new life as a stylish coffee table and the slanted wood piece below the TV opposite the sofa that could hold books or magazines. At the rear wall opposite the snug is another repurposed piece, a wood mantel that had been mostly stripped of its white paint. Adding a gas fireplace would be the perfect finishing touch for this space.
The dining area’s warm mix of antique woods and a modern light fixture illustrates an effortless blend of old and new.
The stair hall blends into the open plan dining-kitchen. The antique wood table and chairs are a stylish counterpoint to the contemporary translucent pendant light fixture. The column is another repurposed quirky accent with its texture of residual white paint and bare wood.
Vaulted wood ceilings and natural textures make this bright kitchen expansion a stand-out architectural feature.
The kitchen’s neutral color scheme of the white cabinets, stainless steel appliances, variegated granite countertop, travertine stone flooring, stained wood slat ceiling that blends into the exposed roof rafters and decking of the kitchen expansion. Adding to the appealing eclectic look is the clever table of pipe supports, wood top, wood stools for a breakfast or informal dining area.
Practical design meets style with expansive workspace, clean lines, and French doors for easy outdoor access.
The long side wall of the kitchen provides ample work surfaces and I liked how the railroaded tile backsplash goes around the window over the sink to the underside of the wood ceiling. The pair of French doors leads to the driveway for off-street parking.
This vintage oven-range adds whimsy and history, proving every kitchen benefits from a playful design moment.
I have written before that every house should have a touch of whimsey like this vintage oven-range combo; or, as William Morris so wisely said “Have nothing in your house that you do not know to be useful, or believe to be beautiful.”
Behind the side interior wall of the kitchen is a short hall, past a full bath and a laundry, that leads to an exterior door to the rear yard.
An antique dresser-turned-vanity pairs effortlessly with sleek modern details for a charming powder room contrast.
Dressers or small chests are great ways to repurpose them as lavatories. I admired the juxtaposition of the chest with its antique look and the sleek porcelain vessel, sconces and mirror.
The spacious primary bedroom is flooded with light from a double window and features direct access to the screened porch.
The second floor contains three bedroom ensuites. This spacious primary ensuite’s bedroom and bath spans across the full width of the house. The double unit window and the half glass, half paneled door to the adjacent screened porch provides ample daylight.
A potential summer sleeping porch, this airy second-floor retreat balances privacy with openness to the outdoors.
The screened porch that spans across the full width of the house could be a fab summer sleeping porch for the primary bedroom since the solid wall provides seated or sleeping privacy. All this delightful space needs is paint for the exposed rafters and decking and beadboard on the wall.
Earth-tone finishes and curved cabinetry soften the space, pairing function with timeless design elements.
The primary bath’ earth tones are very pleasing and I liked the bowfront of both the wood lavatory cabinet and the shower curtain. Replacing the solid color shower curtain with a clear shower curtain would be an inexpensive way to visually expand the space.
A serene guest room with dual-aspect bay windows, soft colors, and a cozy mix of quilted textures.
The guest bedrooms are quite spacious since they are located over the living and dining rooms so each bedroom has a box bay. The bay depth easily accommodates a chest like this space has or you could add drawers below a window seat with a cushion for the family pet. Dual aspect rooms like this one are so much better since they provide more daylight. I loved the serenity of this room with the pale aqua wall color and the quilt of several colors that takes its cue from the wall color and the accent of the exposed brick of the chimney.
Sliding barn doors and an oversized layout make this guest suite ideal for both relaxation and practicality.
The other guest bedroom also accommodate both sleeping and sitting areas. Barn doors like this one for the closet are great space savers.
This property is zoned for either residential or commercial uses; since each bedroom has a dedicated bathroom, one use could be a B&B. The property also includes a side parcel so there is space for a circular drive for easier access to the street. This spacious house dating from 1910 has been lovingly maintained over the years and its current Owner’s new roof and low maintenance exterior materials, kitchen and bath upgrades, materials of engineered hardwood flooring, etc. make it move-in ready. The Owner’s interior design including curated antiques and clever use of repurposed pieces showcases this house’ interior architecture. The front porch and the second floor screened porch are delightful outdoor rooms. Great location in the heart of downtown Rock Hall with walking distance to its restaurants, shops, marina and Rock Hall beach along the Chesapeake Bay-Bravo!
For more information about this property, contact Lynn Hilfiker at Gunther McClary Real Estate, Rock Hall, 410-639-2118 (o), 443-480-1163 (c), or [email protected]. For more pictures and pricing, visit www.rockhallrealestate.com ,“Equal Housing Opportunity”.
Photography by Steve Buchanan Photography, 301-996-7295, http://www.buchananphotography.com .
Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.
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On a winter’a day, a pair of tundra swans descend out of a gray sky.”Tundra Swans” by Geoffrey S. Baker
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The Feast of Stephen occurs each year on December 26. The feast day may be familiar; it is mentioned in the carol “Good King Wenceslas” (1853). There was in fact a St Stephen and a good King Wenceslas. Boxing Day also is on December 26.
“St Stephen Martyrdom” (1324)
St Stephen (c. 5-36 CE) was one of the seven deacons of the early Christian church in Jerusalem. He was known for caring for poor, often forgotten people by giving them gifts of food and other necessities. He was a Hellenistic Jew, and he preached about the synagogues’ slight of Hellenistic Jews and favor toward Hebrew Jews. The Sanhedrin, the supreme legislative and judicial council in ancient Israel, accused Stephen of blasphemy against Moses and God. “St Stephen Martyrdom” (1324) (10’’x20’’), by Bernardo Daddi (c.1290-1348) of Florence, is one of eight panels from an altarpiece in the church of Santa Croce. On the left side of the panel is a depiction of the trial before the Sanhedrin. St Stephen prays as he is found guilty. On the right side is a depiction of his stoning. He is acknowledged as the first Christian martyr.
Bernardo Daddi was a follower of Giotto who introduced greater realism in his painting. The human figures have more natural proportions, gestures, and expressions. His use of shadow gives them weight and mass. Fabrics drape naturally around their bodies. Their feet appear to be flat on the ground. Although faces are similar, he attempted to represent distinct individuals. His settings begin to have perspective. He attempted to paint a usable space. Although the leader of the Sanhedrin is too tall to stand up in the room, the door to the outside is tall enough to accommodate St Stephen and the others. Outside, a green lawn and a deep blue sky replace traditional solid gold as a background.
“The Martyrdom of St Stephen” (1671)
“The Martyrdom of St Stephen” (1671) (172”x109’’), by Flemish Baroque artist Peter Paul Rubens (1577-1640), offers a striking comparison between the early attempts at realism in the Early Renaissance in Italy and the full-blown realism of the 17th Century. On the left panel, Stephen preaches to the people about his concerns. He stands on the steps of a classical Roman building. Three of those around him listen intently. Perhaps the elderly figure in white with the elegant blue and gold on his robe is a member of the opposition. He listens intently, but with a hand held behind his back.
The stoning of Stephen is depicted on the central panel. Well-muscled men throw the stones with power. Stephen has begun to turn the ashen color of death. He looks up and cries out, “Behold, I see the heavens opened, and the Son of Man standing at the right hand of God.” (Acts 7:54-60) Before he died Stephen forgave his persecutors. In the right corner is Saul of Tarsus, keeping the discarded robes of those stoning Stephen. This act shows his consent to the stoning. Saul would become a major persecutor of Christians until his miraculous conversion on the road to Damascus. He was known from that time as St Paul the Apostle. The right panel is a depiction of the burial of St Stephen.
“St Stephen” (1330-35)
St Stephen was depicted as a young man wearing a deacon’s dalmatic robe. “St Stephen” (1330-35) (33”x22’’) is an early image by the famous Florentine artist Giotto (c.1267-1337). Giotto tried to give Stephen a compassionate expression because he was known to be compassionate. His dalmatic is decorated with elaborately woven bands of gold embroidery. He holds a book as tribute to his faith and his teaching. Giotto attempted to depict realistically Stephen’s fingers holding the book.
The two rocks on his head are symbols of his martyrdom, one of the things all artists had trouble integrating into their paintings. Stephen is the patron saint of deacons, bricklayers, and stonemasons.
In portraits of this period, the golden background was influenced by Byzantine painting. Gold ingots were pounded into thin leaves and applied onto a layer of bole, wet red clay. It could then be incised into elaborate patterns as seen in this work.
“St Stephen” (1476)
“St Stephen” (1476) (24’’x16”), painted by Carlo Crevelli (1435-1495), was commissioned by the Dominicans in Ascoli Piceno, Marche, Italy. They believed Stephen provided an excellent example of teaching and preaching to non-believers. Cervelli was trained in Venice, painted in the elaborate and highly decorative style of Venice, and was known for his extensive use of gold. The dalmatic decorations are an example of the richness of Venetian gold embroidery. The gold would gleam in the candle light of church services. Stephen holds a palm branch, a symbol of martyrdom, also of triumph, peace, and eternal life. Waving palm branches were part of the celebration of Christ’s triumphal entry into Jerusalem. The stones on his head and shoulders are necessary to identify Stephen.
“Wenceslaus fleeing from his brother” (c. 1006)
Wenceslas (907-935) (Vaclav the Good) was not a king, but he was the beloved Duke of Bohemia. He was raised as a Catholic by his grandmother Ludmilla. He was known for his concern and care for widows, orphans, and even prisoners. He spread the Christian faith throughout his kingdom, much to the displeasure of his mother and brother Boleslaus the Cruel. “Wenceslaus fleeing from his brother” (1006) is an illuminated manuscript from the Gumpold Codex, commissioned in 980 CE by the Holy Roman Emperor Otto II and his wife. It is a depiction of the murder of Wenceslaus on September 28, 905 by his brother and others on his way to pray in the chapel. The final blow was delivered by his brother. In the illustration, Wenceslaus tries to escape into the chapel, but the priest closes the door. September 28 was declared his feast day and is celebrated in the Czech Republic, Bohemia, and Slovakia. Wenceslas was declared a saint by the people of Bohemia immediately after his death, and the Holy Roman Emperor, Otto I, declared him be a king.
“St Wenceslas Chapel” (14th Century)
The St Wenceslas Chapel was built in the 14th Century by King Charles IV, and it is the main chapel in the Cathedral of St Vitus in Prague. His tomb and relics are decorated lavishly. Over 1,300 Bohemian gemstones set in gold decorate the lower wall. The 275 square yards of Gothic frescoes on the upper wall depict scenes of his life and the life of Christ.
“Good King Wenceslas” (1879)
John Mason Neale (1818-1866), an English Anglican priest, scholar, and hymn writer wrote the carol “Good King Wenceslas” in 1853. His scholarship included an interest in medieval literature and music. He wrote the lyrics to fit the music of the 13th Century Spring carol “The Blooming Time is Here” that he and his partner Thomas Helmore found in a Finnish song book from 1582. The carol was published first in a children’s book in 1849 and then in his “Carols for Christmastide” in 1853.
“Good King Wenceslas” (1879) is an engraving by the Brothers Dalziel. Their engraving company, founded in London in 1839, worked with such artists as Whistler, Rossetti, and Lewis Carol. The engraving was included in a hymn book published by Henry Ramsden in 1879. King Wenceslas and his page are shown trudging through the snow carrying food and aid to the poor people of Bohemia. In verse four, the page, about to collapse, says:
‘Sire, the night is darker now
And the wind blows stronger;
Fails my heart, I know not how,
I can go no longer.’
Wenceslas responds:
‘Mark my footsteps, good my page,
Tread thou in them boldly:
Thou shalt find the winter’s rage
Freeze thy blood less coldly.’
Boxing Day, generally considered an English holiday, is also celebrated on December 26. In Victorian Britain the wealthy gave their servants the day after Christmas off to visit their families. After all they had worked hard preparing and serving the Christmas dinner. When they left, they were given a Christmas box which held food, small gifts, and money. Churches put boxes out for parishioners to leave donations for the poor. The connection between St Stephen and Boxing Day encouraged people to give gifts to those in need, as St Stephen had done.
Beverly Hall Smith was a professor of art history for 40 years. Since retiring to Chestertown with her husband Kurt in 2014, she has taught art history classes at WC-ALL and the Institute of Adult Learning, Centreville. An artist, she sometimes exhibits work at River Arts. She also paints sets for the Garfield Theater in Chestertown.
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